1. Gilad Atzmon: The Open Society and its Enemy Within (you want to watch this video)
http://www.gilad.co.uk/writings/gilad-atzmon-the-open-society-and-its-enemy-within.html
This film is dedicated to the so-called Jewish 'anti' Zionists who were harassing and detracting us ahead of the Freiburg Conference ('Palestine, Israel and Germany - Boundaries of Open Discussion). Ideally, we would like to see many Jews contributing to the discourse rather than attempting to dismantle it. However, we will prevail!!!
3. Jonathon Blakeley: The Wandering Who? -A Book Review
http://www.gilad.co.uk/writings/jonathon-blakeley-the-wandering-who-a-book-review-1.html
http://www.zimoz.co.uk/news/culture/the-wandering-who-a-study-of-jewish-identity-politics/
I first came across Gilad Atzmon on a website called the Jeff rense program; it had become known as a beacon for independent journalism on the Internet and covered stories that the mainstream media would not cover for many reasons; subjects which were viewed as taboo. And so it was, I kept on coming across this name Gilad Atzmon; a writer who was not afraid to tackle some very thorny issues. I read more and more from Gilad and visited his website where I discovered he was also a jazz musician. Coincidentally, around the same time, a friend contacted me to tell me a great Jazz band was playing locally and we should go see them. The band in question was called:- the Orient House Ensemble featuring Gilad Atzmon. This is where my initiation into the world of Gilad Atzmon began some 6 years ago…
His book 'The Wandering Who?' begins in Israel where Gilad was born, and tells how he was brought up and indoctrinated into the Zionist ideology. At first he embraced it and all went well until one day he heard some Jazz playing on the radio. It was Charlie Parker the legendary Bebop saxophone player. It seems that Gilad had an epiphany whilst listening to Charlie Parker, his curiosity was ignited and he had to find out more. Shortly after he rushed into Jerusalem to buy all the Charlie Parker records he could find (two), he quickly became obsessed with Jazz and began to lose all interest in the IDF which he was about to join. When eventually the time came to join the IDF Gilad decided to join the Israeli Air Force Orchestra, preferring music to armed conflict. Whilst playing for the IAFO he and his fellow musicians noticed if they played badly they had less bookings, which they all wanted, and so they practiced playing badly.
How to sabotage the system in order to strive for a personal ideal.
Gilad on playing badly for the Israeli Air Force Orchestra.
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