In her new book, critic Ruth Franklin argues for why the Holocaust is best understood through fiction
A mini-controversy happened a couple months ago when the
New York Daily News reported that
The New Republic planned to "pan" Jonathan Franzen's blockbuster novel
Freedom. This news was actually news because
Freedom had been accorded near-universal critical acclaim and, as importantly, had reached a level on the buzz-meter and sales charts almost always denied novels of real literary merit. Franzen's publisher, Jeff Seroy, criticized the magazine for publishing "consistently negative reviews;"
New Republic literary editor Leon Wieseltier responded by endorsing what he called, with humor but not in jest, "the higher spleen."
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